Before Wolfgang Dürheimer moves to Audi, he's still got a few jobs to finish as head of Bentley and Bugatti, one of them being to oversee the development of the 16C Galibier. It was back in 2009 that the two-tone concept had audiences agog, and rumors and leaks since then have had everyone wondering if the four-seat fastback will ever become reality. To hit 'rewind' on the rumormill, the Galibier was initially greenlit in early 2011 and tipped to go into production this year, a timeframe th
The automotive industry tends to work by certain norms and patterns. For example, by the time one model is ready to be phased out, we usually have a pretty good idea of how its replacement is shaping up and when it will appear. But Bugatti, of course, is no typical automaker.
It's all anyone seemed to talk about at time time, but years later, does anyone really care how long it took for Bugatti to develop the Veyron and get it out on the market? Not really. But it looks like the elite automaker is about to embark down the same path with its next model.
Bugatti builds truly outrageous automobiles that stretch our perceptions of performance and personal wealth. The Veyron currently serves as the automaker's only ambassador into the world of high-speed and exotic engineering. Bugatti executives are looking to add a second steed to the stable, and we believe the Galibier sedan would make a good fit. It seems, however, that Bugatti CEO Wolfgang Durheimer doesn't think it's ready. Why not? It's not wild enough.
For as long as anyone can remember, Bugatti has been a one-model marque. For the past seven years, that model has been the Veyron. Before that, it was the EB110. In the 1950s, it was the Type 101. In fact, you'd have to go back to the late 30s to find more than one line of vehicles coming out of Molsheim, when the Type 57, Type 46 and Type 55 all shared the same facility. But that could come about again if Wolfgang Dürheimer gets his way.
Top Gear magazine spent some getting-to-know-you time with the Bugatti Galibier at the Bugatti factory in Molsheim, and scribe Jason Barlow was all kinds of smitten. The Galibier he crawled all over was painted black, a "Bugatti insider" avowing that the two-tone hue previously on show was "a distraction."
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